GRIPPING MOMENT: A Detailed Photoset StoryBoard Idea


Posted by KnightStalker on October 11, 2002 at 16:06:24:

GRIPPING MOMENT / STORYBOARD

Inspiration:

The inspiration for this photoset storyboard is the beautiful NB blonde model known as Shannon (Desert Kill). She has a fabulous body together with a slender fashion model neck, not to mention one of the most expressive faces in the necro world (bulging eyes and gaping mouth). My pants start to bulge just thinking about her.

Prologue:

The photoset could be told in approximately 70+/- images depending upon how the producers would approach the project. Shannon would be portrayed as an actress sitting at her dressing room table just before she goes on stage. The set may start by having the camera move from just outside the dressing room peering in (catch the “star” on the door) with just a glimpse of Shannon primping herself while sitting at the makeup table looking into the mirror.

Page One:

As the camera moves into the room we see Shannon’s back and her face (in the mirror) as we approach her from behind. She is wearing a lavender “off the shoulder” dress with a provocative thigh slit on the skirt portion. The ¼ sleeves only cover her midarm area. The wide elastic neckline actually sits approximately 3+/- inches below her shoulders. She is in the process of adjusting the neckline and then proceeds to mist her long neck and bare shoulders with perfume. Her long blonde hair is tied on top of her head by a lavender ribbon. On the table on either side of her are several flower baskets with “well wisher” slogans. It is opening night for her performance. (5 to 6 photos, most of which are shot from behind Shannon and depict the ability to see her face and shoulders in the mirror)

Page Two:

Out of the corner of her eye Shannon notices her boyfriend in the mirror. We can see a small glimpse of him standing in the doorway ( from the view from the mirror.) He approaches her while holding a dozen wrapped roses. Both Shannon and her boyfriend are smiling as they greet each other. She shows her appreciation of his gift. He kisses one of her bare shoulders. There is one empty vase left for the flowers on the table. As she is arranging the flowers in the vase, a curious look comes over her boyfriend’s face as he looks over the other flowers and stops to look at one message in particular. He pulls the message out of the flowers and glares at her angrily as he points the message card at her. ( 5 to 6 photos with Shannon still sitting at the table).

Page Three:

Shannon is now turned toward him, still sitting, while he glowers down at her. Her lovely throat is arched back to expose its beauty. At first her hand gestures together with her eyes deny his accusations, but at last she hangs her head in shame. To her surprise her boyfriend seizes her wrists and continues his jealous beratement of her. Her sullen poutty look turns to fear as she leans back again on the bench to meet his angry gaze while he stands over her. In the next moment his hands grab Shannon’s bare shoulders in a rough manner. Her fear mounts as she stares at one of his hands on her shoulder. Her eyes follow his hand as both of them glide up the steep slope toward her long neck. (6 +/- shots taking care to include the reflection from the mirror when possible.)

Pages Four and Five:

The camera starts with a close up of the boyfriend’s hands around her beautiful neck. His thumbs are placed at nearly the midpoint of her windpipe and slightly crisscross it. The next photo is from farther out and shows Shannon from the waste up with her mouth gaping as her boyfriend starts to manually strangle her. Again, and I need to stress this point, his hands never completely hide her throat. (It’s so long and swanlike.) The camera zooms in and out and covers frontal, rear, and profile shots of her magnificent strangulation. Ple-e-e-ease keep her lovely white shoulders bared during this sequence.

By page five Shannon’s tongue protrudes from her mouth and her eyes are bulging out of their sockets. During the course of her being choked, her boyfriend manages at times to have her head and upper body on the makeup table. (Yes, the flowers may be been knocked off the table in the ensuing violence.) At other times he has her dangling from his hands as he supports her upper body while he has her leaning backwards off the bench. Sometimes her hands are on his wrists. Other times she is pounding on his chest. At no time does his hands ever leave her throat , nor do his thumbs become buried under her chin to hide Shannon’s incredible long neck. It would be downright intoxicating if at times it looked as though his thumbs actually intruded her windpipe (both from frontal and profile shots). But I don’t really want you to harm such a beautiful and sexy creature. Again, the best thumb position from my standpoint, is when they are placed at the low to midpoint of her windpipe (much like was done to Malibu’s neck in Dream Date and to Alexandra Tower’s neck in Angles of Asphyxiation ).

Page Six:

At long last Shannon is showing signs of weakening as her boyfriend continues to strangle her. You know the routine. Her eyes begin to fade… Shannon has got it down to a tee as to how to “die” from manual strangulation. She did a great job about a year ago when Don got her and Suzanna one afternoon. (Don’t remember the name of the photoset.) At this point, if you must, you can have this guy do a token “strip” to expose Shannon’s incredible body. Yummy!!! Should be several shots of her post demise laying in repose in a variety of poses. Hopefully, someone remembered to bring the bluish purple makeup to paint some wonderful thumb and finger bruises on Shannon’s perfect neck!

Page Seven:

The final shots could depict her former boyfriend leaving the dressing room. As the camera backs away we can still catch glimpses of Shannon, dead.

KnightStalker